There were trials and executions of witches in Chester in the seventeenth century and this meeting on Friday 28th February explored some aspects and myths around this.

Local historian, Peter Elliott, discusses this on his Chesterwiki site which inspired one of our members, Clare Dudman, to create a film about the events, ‘The Three Ravens’. It tells the story of three of the witches brought to trial in Chester, and the Judge John Bradshaw. As President of the High Court of Justice, Bradshaw, a Cheshire man, signed the execution order for Charles I. He was also Chief Justice of the Chester and North Wales Circuit and presided over several witch trials.

‘Three Ravens’ is Clare’s fourth event for the Heritage Festival, filmed mainly in Bishop Lloyd’s Palace in 2023. She received a commission, which allowed her to pay for professional actors

Karen presented Peter’s inspirational slides which are based on his knowledge and expertise available in more detail with links to sources here: https://chester.shoutwiki.com/wiki/Witch_Trials

Peter says; “My reason for writing the initial article on the “Chesterwiki” website was the the inaccurate information that was being put about concerning the witch trials.”

“The numbers of executions were greatly inflated and the whole issue was sensationalised prior to Clare. Bradshaw was portrayed as a “power-crazed” judge and there was no surrounding historical context, either as regards the contemporaneous trials in Wales (same judges) or the other things Bradshaw was involved in. He was a figure of national importance. Information being written also confused modern perceptions of “witches” with what people would have believed at the time.”

He added; “The story goes a long way back. Plegmund, Alfred’s archbishop from Plemstall, was probably involved in the drafting of “Cake-burning” Alfred’s Law Code. Plegmund’s Well in itself is a wonderful story of “Preservation and Progress”.

“Alfred’s makes the act of consulting “witches” a crime – which may be a mistranslation. It appears to be the origin of “not suffer a witch to live”. Alfred’s law seems to have been intended against “malefic” acts of a fairly general kind and there is no mention of any “diabolical conspiracy against the state” such as appears in the Chester Mystery Plays.”

“Burning witches was rare in England. They were hung. Protestants tended to execute more witches than Catholics. One wonders how much the large number of witch trials in Germany were entertainment for the masses, like Clare’s play.”

“Looking at the context in Chester there is an interesting mix of myth, legend and tradition. The Devil turns up in the Mystery Plays as a rather comic character played by the Tanners, and the Ale-Wife accompanies him in parades. The Tanners had their mysterious potions and the Ale-Wife’s “spells” can be likened to recipes for brewing beer, making cheese etc. The other character appearing in the Mystery Plays is the “Antichrist”. In modern recreations his identity is usually obvious from the start, but in the original play he seems to pose a more subtle threat. “Magic” is now the “work of the Devil” used with the intent of overthrowing the state and we first see Bradshaw and Cromwell being portrayed as such.”

“The development of the English anti-witchcraft laws reflects this concern with the state. Henry VIII’s laws put finding treasure (which should be his) before causing harm. Elizabeth has a personal astrologer but doesn’t want anyone else predicting her demise. James thinks “they” are after him personally.”

“The Welsh are a lot more relaxed and see it as a local issue that can be sorted-out by confession and apology. Gloom-laden prophecies about their leaders/rulers have been around for ages. The second Pendle trial is investigated by John Bridgeman, Bishop of Chester, who finds it to be a money-making sham. In the 1600’s it all bursts out into print – more mass entertainment.”

“That brings us down to mass-entertainment of today and the context of Clare’s play. She makes it clear her portrayal is fictionalised and makes it obvious where she strays from accuracy (Bradshaw takes the train to Wales). She leaves the audience to consider for themselves the relationship between his witch trials and his trial of King Charles, between the threat to the state of the Devil and his cohorts and that of Cromwell. The “real” history, even presented as fiction is far more interesting than inaccurate history presented as truth.”

“Running through this is the sense of place, where peoples lives unfold and their stories are sometimes told, becoming real once more through their echoes in the built environment they left behind.”

Photos of the event can be seen here:

George Payiatis, a Senior Urban Designer with Create Streets, gave a presentation on the recent research and work carried out by Create Streets.

Create Streets is currently working on a draft design code for Cheshire West and Chester Council. (At this stage George will NOT be able to give any details.)

The foundation has already set 7 design codes including the town centre of Lichfield with 100 new homes and a design code for wider pavements and more street trees in new developments across Surrey. See a list of Create Streets 2024 developments on the Create Streets website

Slides from the event were promised by the speaker, meanwhile a selection of slides from the event are available here.

On 30th January 2025 Michael Trevor Barnston gave a superb talk on ‘The Trevor Barnston Family: From the Norman Conquest to the 21st Century’.

Michael spoke about his fascinating family history stretching back to 1066 when Hugh de Berneston settled in the Wirral, in the area of the village of Barnston. Michael can trace his family history in Farndon back to the time of King Edward I who reigned from 1272-1307. During the Civil War, William Barnston, who was an ardent Royalist was captured and imprisoned by the Parliamentarians. The Farndon Obelisk commemorates Roger Barnston who served throughout the Crimean War and died at the siege of Lucknor in india. The landholdings of the Barnston Estate in Hapsford, Churton and Farndon were enhanced through the ages by marriages to local heiresses. Michael mentioned his gardens there where we were able to hold our Summer event last year.

Over the centuries the members of the Trevor Barnston family have been closely involved with the military and public life across the county of Cheshire.

Following Michael’s talk, tea and coffee and cake were served.

In May the trust did something unusual: we moved one of our regular social meetings from Bishop Lloyd’s Palace to the Bluecoat Building. We have to thank Mike, Cathy and Janette for welcoming us there. The changed location was appropriate because Anthony Annakin-Smith was giving his lecture on Chester Foundling Hospital. It was housed in the building.

A group of visitors from the London branch joined us as our guests. They were led by Chris Jones and her Voices Through Time digitalisation team. The Coram Hospital kept detailed records of the children in its care. These date from 1739 to the mid-fifties. There are over half a million documents. The team is digitalising the earliest records. These form about a quarter of the archive. They consist of such items as the registration records of the children. They were numbered on arrival and given a new name. Baptism took place if this was necessary. If the mother left a note this was placed on the record. Medical records are also available. Some of these stories are available on the web

Tony has been working with the group. On a random visit to the Museum, he discovered that a branch of the Hospital had been opened in Chester. This was an interesting surprise to him, and he was driven to research this new information.

Between 1756 and 1760 the government legislated that all children handed in to the Hospital had to be cared for. This period, called the Great Reception, meant that the number of children in the Hospital’s care was multiplied. It was beyond what the London branch could manage, and seven provincial outposts were opened. Chester was one of these.  It took orphans from London from 1763 to 1769. The hub of their work was the Bluecoat Building but most children were ‘farmed out’ to so-called nurses in local villages.

There is a synopsis of Tony’s engrossing talk on the Coram website. He is also writing a book on the subject. He hopes it will be published next year. We will keep you informed.

The Foundling Museum in the Euston/Bloomsbury area is well worth a visit. Upstairs are magnificent rooms and an art gallery. Downstairs is a museum telling the sad stories of the young people in its care. Particularly moving is the collection of tokens left by parents to identify their child in case they could ever reclaim them.

FOUNDLING MUSEUM, 40, BRUNSWICK SQUARE, LONDON. WC1N 1AZ. Open Tuesday to Sunday

Karen McKay

Now in its 18th year, The Chester Civic Trust has given its verdict on the best examples of new development, renovation of existing buildings and community projects in its annual Good, Bad and Ugly awards for the City.

The awards made at a ceremony at the headquarters of Chester Civic Trust at Bishop Lloyd’s Palace Watergate Street, Chester on 17th June, highlight Chester’s buildings, places, spaces and projects in an alternative ‘New Financial Year Honours list’.

Peter Hadfield, chairman of the judging panel, said: “These annual awards are based on nominations from our members. They aim to recognise the best changes to the Chester property scene in the past year. We hope they will encourage higher standards of design and maintenance in our public realm. As always, I would like to thank my fellow Judges for their time and commitment visiting and providing insightful comments on the nominations.”

He added; “Members of the Chester Civic Trust excelled this year with a total of 55 nominations. 32 Bad/Ugly nominations were submitted together with 23 Good nominations.

All categories included an interesting mix of nominations. Once again it was good to see some from outside the city and we would like to receive more in the future.

The judges said; “The Bad and The Ugly Awards are included in the hope that it will prompt action. Sadly, given the current stagnant economy and inadequate funding for local services, we are not anticipating that 2024 will bring many improvements.

As usual we had many nominations for our ‘Hardy Perennials’ (those buildings which get mentioned year after year) including Dee House, the state of the City Walls, the former Quicks Garage and St Olaves Church. We remain concerned about all these areas but this year we decided to concentrate on new nominations and those which we have not mentioned for some time.”

There were several projects which the Judges declined to consider this year as they are incomplete. These will automatically be included with other nominations next year.”

The Chair’s Special Award

  • Picturehouse

The Good Awards

  • The Flaggs and Hamilton House, Church Street, Tarvin
  • ōH Chester Design Foundation, Bridge Street
  • 6-12 Saint Werburgh Street, Renovation of Facades
  • New Chester Market
  • Chester Zoo Nature Recovery Corridor

Good – Commendations

  • The White Horse, Churton
  • Bren Bikes, Live! New Scene, Newton
  • New Residential Property, Farndon
  • The Lock Vaults, Hoole Lane
  • Chester Residents Association Group

The Bad and The Ugly Awards

  • Delamere Street
  • The Roman Strong Room
  • The Riverside Promenade
  • Interpretive Devices
  • Collapsed Wall, Liverpool Road
  • Closure of a Section of The Rows
  • Poor Street Lighting

 

A full copy of the judges’ comments is available.

Cheshire Live report on the Bishop Lloyd’s Palace Open Day

‘The most beautiful building in Chester’ seemingly hidden in plain sight – Cheshire Live (cheshire-live.co.uk)